The Scotsman and his daughters handout upgrade jewels. The enemies still look like pure nightmares, while Jack’s allies retain their Rocky and Bullwinkle-like cartoonery.ĭa Samurai shows up to sell Jack items and repair his weapons. Three-dimensional models don’t hew perfectly to Tartakovsky’s kinetic artwork, but the basic designs are all intact - jagged, graphic, and prismatic. ![]() It turns out the trip lasted longer than we thought: Opening on the finalé, Battle Through Time becomes a clever “mid-quel” as Jack retraces his steps through past locations and waves of familiar enemies. Those familiar with the final episode of the series will recall that Jack and Ashi, Aku’s daughter, escape from the demon’s clutches by jumping through a time portal that drops them off at the beginning of the show. The writers of Battle Through Time found the least offensive way to expand Tartakovsky’s story. while also being a nice, warm return to a property I love. What fan could resist the dopamine hit of maneuvering the warrior through the odd worlds of Tartakovsky’s imagination? And having played James Cameron’s Avatar: The Game and the notorious Legend of Korra in my lifetime, I feel confident in saying Battle Through Time is on the high end of the awful-to-good-enough tie-in spectrum. well, you can understand why Adult Swim Games and Japan’s Soleil Games teamed up to bring Jack back to life yet again. But with the potential of chopping up robot bugs as a time-traveling samurai stuck in a never-ending battle against a magical shape-shifting demon. The end.Ĭonsidering the creator’s sense of finality, Samurai Jack: Battle Through Time, a new hack-and-slash action RPG out now on Nintendo Switch, PlayStation 4, Windows PC, Xbox One, and Apple Arcade, is artistic sacrilege. The end was the actual end for his time-traveling warrior - that was the story. Retrieved April 9, 2016.In a massive 2019 interview with Polygon, Samurai Jack creator Genndy Tartakovsky reflected on his nearly 20-year journey with the Jack character, and the bittersweet resolution he’d illustrated in the series’ fifth and final season. Matt Zoller Seitz, "No Respect Week: Seitz on Genndy Tartakovsky's Underrated Classic Samurai Jack", Vulture, New York Media LLC, (May 30, 2014).It was always about the visual music that Tartakovsky, his designers, and his animators created onscreen. And that’s what Tartakovsky’s Clone Wars and Samurai Jack give you, scene for scene and shot for shot. ![]() I re-watch them for the same reason that I visit art museums, attend live concerts, and pause during journeys from point A to point B in New York to watch dancers, acrobats, or street musicians: because I appreciate virtuosity for its own sake.
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